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From Jonah Yano: The first time I heard "This Time Around" (by Jessica Pratt) I was mostly confused by it. Not because it's a confusing song, but because it made me feel so many things at one time, that I couldn't properly process anything about it. So I sat with it on loop, for what in my memory feels like 3 or 4 days in a row, and tried to grasp my feelings about it more completely with each individual listen.
By the end of that 3 or 4 days I was quite familiar with the song, but I still felt like there was something unknown about it to me - something that I couldn't get from just listening obsessively. So like any songwriter does in that predicament, I learned to sing and play the song myself. Once I learned the song, I would play it the same way I listened to it when i first heard it, over and over and over.
I got to Berlin in August and I had a couple days in a beautiful studio out there near Gorlitzer Park. After tracking 3 or 4 demos I had the idea to cover "This Time Around" - it just felt like the right time. The recording you hear, as far as the acoustic guitar and vocals go, is all one live take because that's the way it felt best for me, when I got home to Toronto, my friends Kyla Chalmers and Leland Whitty (BADBADNOTGOOD) were kind enough to lend their playing to finish it off.
I'm trying to think of how to describe what it feels like to sing someone else's song and have it feel like something honest and personal to me. I'm starting to think that if I knew how to describe that, I wouldn't have recorded it and I would have just written about it in my journal or something. I think I understand a little better now, why songwriters (and musicians in general) have been playing each other's songs for so long. I think it's because there are just some songs that are better off being replicated in full, to pay full homage to, instead of being imitated partially.
supported by 4 fans who also own “This Time Around”
I think it's difficult to write songs about something other than romantic love, and still be able to communicate the intensity with which those feelings can hit a person. Some of the entries on this album are fantastic examples of this niche. dani_bloop
supported by 4 fans who also own “This Time Around”
I’ll be waiting for your concert in Taipei in the foreseeable future (already bought tickets however the show got canceled due to fcking COVID) xellence